The whole crowd was buzzing by the end of the night, categorically ecstatic to be back inside a music venue. Witnessing everyone cheering, dancing, and shouting together again was just as magical as could be expected. There’s little else to say besides how significant this event was for Portland’s dance music scene. Significant event marks new chapter in PNW live dance music With festival and concert season coming in hot, this won’t be the last you hear of him. The future may be a mystery, but pay attention to Ace Aura. Outside of production, he’s also taken to stages performing at Insomniac’s Wooli Park N’ Rave, a 1001 Tracklists Exclusive Mix, and a UKF live stream. He’s released some huge collaborations with bass heavyweights Subtronics and TYNAN, and teased an upcoming track with Crankdat. Throughout the pandemic, Seall’s career has undoubtedly taken off. Although his releases nowadays have less traditional religious influences, the heavy chord progressions in some of his tracks and remixes evoke a analogous feeling. Initially, he began producing Christian-influenced electronic music. Ace Aura first came to creation when Seall was 12 or 13 in a suburb outside of Dallas. Combining heavy bass with melodic and chord-driven patterns (often referred to as future riddim), he’s quickly become one of the most standalone producers in the increasingly popular sub-genre.īut his origin story as an artist is even more unique than the music he makes now. In a lot of ways, Seall has broken out of the bass music mold and forged a characteristic sound like we’ve not heard before. 22-year-old Eric Seall had a monumental year in 2020 and shows no signs of slowing down. If you haven’t heard of Ace Aura yet, consider this your sign. Incredibly talented, kind, and down-to-earth, he’s exactly the kind of artist we want to see in the Pacific Northwest again. Thundering cheers left ears ringing as the lights came on and attendees grinned ear to ear.Īce Aura stayed after the show to greet fans, having real interactions and conversations with many. Paying dues to dubstep, Ace Aura finished out his set with a flip of Skrillex’s Scary Monsters and Nice Sprites. The nostalgia was palpable during his flip of Cascada’s immortalized 2006 hit Everytime We Touch, and if you weren’t crying at that, just lean into his remix of Nurko’s Blindspot.įinally, he closed out a night filled with the LED panels and lasers we couldn’t have possibly forgotten about during the last year. Ace Aura electrified the crowd with a blend of his tracks and the classics with his own twist. Everything from bass house to trap and an abundance of dubstep served as a top-notch Portland introduction to Ace Aura.įor the final 90 minutes of the night, Portland got the taste of bass music we’ve all been waiting for over the past 15 months. From the beginning through the very end, every head in the crowd focused in on him. We felt 45 East did an admirable job.ĭirectly before Ace Aura, Auxygen stood out as a killer opener. Venues across the Northwest will likely continue to grapple with the tight-rope walk between holding indoor events and keeping people honest about safety. It was a bit overwhelming being around so many people indoors again, a few of whom were admittedly inconsistent in following the venue’s mask mandate, but it felt great to be dancing alongside other people again. Portland picks up where it left off before COVID-19īesides the crowd wearing masks and security staff implementing health screening measures, the event felt mercifully pre-pandemic. Up-and-coming bass artist Ace Aura kicked things off for the Portland venue’s first event back. The city’s largest and most well-known indoor electronic music venue, 45 East, finally reopened its doors last week. The return of live music in the Pacific Northwest is well underway as COVID-19 restrictions continue to loosen, and Portland is leading the way.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |